I’ve spent two hours a week this year taking an online course in abstract watercolour painting. The course and others are offered by Avenue Road Arts School, which used to be an actual place and has gone digital for a while. That means that people can join in from any where, rather than just in Toronto as I used to do. The instructor, Sadko Hadzihasanovic, has established an international reputation, but still enjoys working with amateurs and sharing his insights with energy and new technological skills to help us over Zoom. We can email our works in progress and he often make suggestions of small changes in the images on his ipad and sends them back. Often it’s composition where we need help from an experienced eye.

Sometimes abstracting helps us reconnect with the real world. Taking an idea to the next step and putting it into a visual framework we know can send a message that moves us to new understanding. “Poets are the unacknowledged legistrators”, the poet Shelley said. So are any artists who help us to return to learning through our five senses.

San Francisco Artist Ana Teresa Fernandez recently sat down with Bill McKibben to speak about her social sculptor, On the Horizon. It was a response to a comment she heard that sea level will rise six feet in the next fifty years. That’s a nice abstract number, but what does it look like? Her answer as a creator was to put a six foot tube on the beach, fill it to the top with the help of children who will face that reality and let viewers of all ages respond to it.

You can see it here:

What does it look like? How will it change us? Why is this happening? Artists ask the questions that in our day to day pre-occupations we avoid. We need them th help us see what we are doing to ourselves.